My practice thus, increasingly, is defined by the current political and social climate. This includes aspects of ‘distortion’ and ‘abstraction’ with exaggeration of line, emphasis on color [or the lack of], dismantling of form and indeed the entire visualization and expression, which makes for emphatic dialectal linguistics. These expressions become a vital part of my vocabulary to articulate the real life distortion, exaggeration of human emotions and more so, the violations, in display, in the realm of personal and impersonal, domestic and international, regional and universal, physical and imagined. No issue of human
existence is too irrelevant to be ignored neither too grand to be glorified.