LONDON ORIGINAL PRINT FAIR 2026

Asha Vaidyanath

Love Letter VI (unspoken), 2026

UV print on hand woven paper

32 x 63 cm

£ 1800

Unique Work. Framed. Asha’s Love Letters are printed on paper handwoven by artist herself, holding a sense of intimacy while remaining open to be read and shared. These works act as translations—forms that once existed as handweaving, film photographs, drawings are reinterpreted through a new medium. As the material shifts, so does meaning. The landscape here is personal and emotional, shaped by touch, time, and the quiet act of making. Non reflective, museum quality framing.

Asha Vaidyanath

Love Letter VII (unspoken), 2026

UV print on hand woven paper

32 x 63 cm

£ 1800

Unique Work. Framed. Asha’s Love Letters are printed on paper handwoven by artist herself, holding a sense of intimacy while remaining open to be read and shared. These works act as translations—forms that once existed as handweaving, film photographs, drawings are reinterpreted through a new medium. As the material shifts, so does meaning. The landscape here is personal and emotional, shaped by touch, time, and the quiet act of making. Non reflective, museum quality framing.

Ian Malhotra

Waterfall I, 2026

White ink etching on Somerset velvet black paper

45 x 70 cm

£ 895

Ian’s landscapes emerge from imagined and futuristic worlds, influenced by his journey within video games. Through hand processes that slow down image-making, his work resists speed and fixed outcomes. Layered surfaces and soft transitions suggest an internal landscape that is always evolving. Rather than depicting a single moment, the work reflects a way of being shaped gradually, intuitively, and over time. Limited edition of 10. Framed size, 57 x 82 cm for £1295.

Ian Malhotra

Waterfall III, 2026

White ink etching on Somerset velvet black paper

45 x 70 cm

£ 895

Ian’s landscapes emerge from imagined and futuristic worlds, influenced by his journey within video games. Through hand processes that slow down image-making, his work resists speed and fixed outcomes. Layered surfaces and soft transitions suggest an internal landscape that is always evolving. Rather than depicting a single moment, the work reflects a way of being shaped gradually, intuitively, and over time. Limited edition of 10. Framed size, 57 x 82 cm for £1295.

Shivangi Ladha

In The Fold of Night, 2025

Etching, aquatint on Hahnemuhle Paper

82 x 119 cm

£ 2,000

Shivangi’s work moves between interior and exterior worlds, between the individual and the collective. It reflects emotions felt in solitude as well as those experienced in moments of coming together, protest, and response. Her landscapes are not only physical but emotional spaces shaped by what is happening in the world around her and how those events are felt internally. Limited edition of 10. Framed size, 91 x 131 cm for £3000. Museum quality framing.

Shivangi Ladha

In Her Movement Sky Remembered II, 2025

Monoprint on Japanese paper

49 x 58 cm

£ 1,500

Unique Work. Framed. Shivangi’s work moves between interior and exterior worlds, between the individual and the collective. It reflects emotions felt in solitude as well as those experienced in moments of coming together, protest, and response. Her landscapes are not only physical but emotional spaces shaped by what is happening in the world around her and how those events are felt internally. Museum quality framing.

Shivangi Ladha

In Her Movement Sky Remembered III, 2025

Monoprint on Japanese paper

49 x 58 cm

£ 1,500

Unique Work. Framed. Shivangi’s work moves between interior and exterior worlds, between the individual and the collective. It reflects emotions felt in solitude as well as those experienced in moments of coming together, protest, and response. Her landscapes are not only physical but emotional spaces shaped by what is happening in the world around her and how those events are felt internally. Museum quality framing.

Shivangi Ladha

In Her Movement Sky Remembered IV, 2025

Monoprint on Japanese paper

45 x 59 cm

£ 1,500

Unique Work. Framed. Shivangi’s work moves between interior and exterior worlds, between the individual and the collective. It reflects emotions felt in solitude as well as those experienced in moments of coming together, protest, and response. Her landscapes are not only physical but emotional spaces shaped by what is happening in the world around her and how those events are felt internally. Museum quality framing.

Radha Pandey

Deep Time, 2017

Wood engraving, natural dyeing, letterpress printing, paper cutting

11 x 15.25 cm

£ 1,900

Radha’s artist book speaks to the fragility and precarity of landscapes in the face of climate change. Time is central to her work; how it shapes, erodes, and transforms land. Using imagery adapted from contour maps of major mountain ranges, including the Himalayas, the Tibetan Plateau, and the Andes, she carves shifting forms into each page. Edition of 35 + 2AP.

Radha Pandey

Flora of Mughal India, 2024

Wood engraving, miniature painting, letterpress printing, foil stamping, paper cutting

17 x 25.5 cm

£ 6,500

This artist book explores the shift in perception of nature and its representation in illuminated manuscripts in India during a time of cultural and political change (1500–1700), and how that consequently changed the art of the book and the visual representation of nature on the Indian subcontinent. A collaboration between Pandey and master craftspeople in India, this book combines letterpress printing, miniature painting, paper cutting and hand-illustrated elements. This book won the prestigious 2024 MCBA Prize. Edition of 20 +4AP. Open size – 25.5 x 70 cm.

Jo de Pear

Echinoidea I, 2025

Photopolymer on Somerset white with chine collé

54 x 64 cm

£ 450

Jo de Pear’s practice is rooted in collecting. The Heart Urchin, found on the sea bed in Antigua, becomes a quiet landscape of its own. With its spines fallen away, the surface reveals delicate nodules and an underbelly that feels abstract and other-worldly, transforming a found object into a space for reflection and memory. In studio visit the curators were reminded of Bandhani, an ancient Indian tie & dye technique. Edition of 40, framed size – 66 x 76 cm for 650 £.

Jo de Pear

Echinoidea II, 2025

Photopolymer on Somerset white with chine collé

54 x 64 cm

£ 450

Jo de Pear’s practice is rooted in collecting. The Heart Urchin, found on the sea bed in Antigua, becomes a quiet landscape of its own. With its spines fallen away, the surface reveals delicate nodules and an underbelly that feels abstract and other-worldly, transforming a found object into a space for reflection and memory. In studio visit the curators were reminded of Bandhani, an ancient Indian tie & dye technique. Edition of 40, framed size – 66 x 76 cm, for 650 £.

Benjamin Deakin

Calibrator, 2022

Pigment print on Hahnemuhle paper

43 x 51 cm

£ 700

Unique Print. Benjamin’s works speak to his enduring interest in landscape and mountains as subjects in art but which increasingly use windows and interior space to explore spatial possibilities in painting. He is interested in the ways in which people relate to landscapes culturally and the role that painting has played in forming these relationships. The use of pattern in these interiors is significant, representing to Deakin the interplay of visual ideas between cultures. Many of the patterns are derived from William Morris’ designs who Deakin sees as an example of a quintessentially British aesthetic which was strongly influenced by Asian and the middle eastern styles. Framed size, 50 x 58 cm for £ 900.

Benjamin Deakin

Echo 3, 2020

Letterpress on paper

27 x 35 cm

£ 300

Benjamin’s works speak to his enduring interest in landscape and mountains as subjects in art but which increasingly use windows and interior space to explore spatial possibilities in painting. He is interested in the ways in which people relate to landscapes culturally and the role that painting has played in forming these relationships. The use of pattern in these interiors is significant, representing to Deakin the interplay of visual ideas between cultures. Many of the patterns are derived from William Morris’ designs who Deakin sees as an example of a quintessentially British aesthetic which was strongly influenced by Asian and the middle eastern styles. Edition of 40, framed size 33 x 41 cm for 400.

Benjamin Deakin

Emanator, 2022

Pigment print on Hahnemuhle paper

43 x 51 cm

£ 700

Unique Print. Benjamin’s works speak to his enduring interest in landscape and mountains as subjects in art but which increasingly use windows and interior space to explore spatial possibilities in painting. He is interested in the ways in which people relate to landscapes culturally and the role that painting has played in forming these relationships. The use of pattern in these interiors is significant, representing to Deakin the interplay of visual ideas between cultures. Many of the patterns are derived from William Morris’ designs who Deakin sees as an example of a quintessentially British aesthetic which was strongly influenced by Asian and the middle eastern styles Framed size, 50 x 58 cm for £ 900.

Mila Rae Sarabhai

Edge, 2025

Photopolymer etching on Fabriano unica paper

25 x 34 cm

£ 500

In Mila Sarabhai’s photo-etchings, absence becomes presence. Her ongoing series is based on photographs from her hometown in India, exploring space and memory through decaying colonial structures and the silent presence of those who once lived and still live within them. Framed size, 27 x 37 cm for 620 £. Limited edition of 2 + 1AP.

Mila Rae Sarabhai

Endless, 2025

Photopolymer etching on Fabriano unica paper

25 x 34 cm

£ 500

In Mila Sarabhai’s photo-etchings, absence becomes presence. Her ongoing series is based on photographs from her hometown in India, exploring space and memory through decaying colonial structures and the silent presence of those who once lived and still live within them. Framed size, 27 x 37 cm for 620 £. Limited edition of 2 + 1AP.

Mila Rae Sarabhai

Highwire, 2025

Photopolymer etching on Fabriano unica paper

25 x 34 cm

£ 500

In Mila Sarabhai’s photo-etchings, absence becomes presence. Her ongoing series is based on photographs from her hometown in India, exploring space and memory through decaying colonial structures and the silent presence of those who once lived and still live within them. Framed size, 27 x 37 cm for 620 £. Limited edition of 2 + 1AP.

Mila Rae Sarabhai

Void, 2025

Photopolymer etching on Fabriano unica paper

25 x 34 cm

£ 500

In Mila Sarabhai’s photo-etchings, absence becomes presence. Her ongoing series is based on photographs from her hometown in India, exploring space and memory through decaying colonial structures and the silent presence of those who once lived and still live within them. Framed size, 27 x 37 cm for 620 £. Limited edition of 2 + 1AP.

Scherry Shi

Landings I, 2023

Cyanotype on brocaded cotton

39.9 x 39.9cm

£ 1,700

Unique work. Framed. Scherry’s cyanotype evokes a sense of nostalgia. The Image is from artist’s hometown in China printed on a handkerchief that once belonged to her friend’s grandmother, a European migrant to the UK whom Scherry has never met. This object becomes a quiet point of connection across time and geography. Their shared experiences of migration and diaspora shape this intimate collaboration reflecting on emotional transitions that accompany leaving one place to build a life in another. The use of colour Indigo further gestures towards the histories embedded in the colour itself and explores its links to global trade routes such as silk road, the rise of European industrial demand and the colonial systems that relied on coercive agricultural practices.

Scherry Shi

Landings II, 2023

Cyanotype on embroidered cotton

39.9 x 39.9cm

£ 1,700

Unique work. Framed. Scherry’s cyanotype evokes a sense of nostalgia. The Image is from artist’s hometown in China printed on a handkerchief that once belonged to her friend’s grandmother, a European migrant to the UK whom Scherry has never met. This object becomes a quiet point of connection across time and geography. Their shared experiences of migration and diaspora shape this intimate collaboration reflecting on emotional transitions that accompany leaving one place to build a life in another. The use of colour Indigo further gestures towards the histories embedded in the colour itself and explores its links to global trade routes such as silk road, the rise of European industrial demand and the colonial systems that relied on coercive agricultural practices.

Scherry Shi

Night Walk I, 2026

Cyanotype on Chinese paper

13.3 x 20 cm

£ 625

Scherry’s cyanotype evokes a sense of nostalgia, becomes a quiet point of connection across time and geography. The use of colour Indigo gestures towards the histories embedded in the colour itself and explores its links to global trade routes such as silk road, the rise of European industrial demand and the colonial systems that relied on coercive agricultural practices. Framed size, 26 x 32cm for £ 800.

Scherry Shi

Night Walk II, 2026

Cyanotype on Chinese paper

13.3 x 20 cm

£ 625

Scherry’s cyanotype evokes a sense of nostalgia, becomes a quiet point of connection across time and geography. The use of colour Indigo gestures towards the histories embedded in the colour itself and explores its links to global trade routes such as silk road, the rise of European industrial demand and the colonial systems that relied on coercive agricultural practices. Framed size, 26 x 32cm for £ 800.

Mila Rae Sarabhai

Spectre, 2025

Photopolymer etching on Fabriano unica paper

25 x 34 cm

£ 500

In Mila Sarabhai’s photo-etchings, absence becomes presence. Her ongoing series is based on photographs from her hometown in India, exploring space and memory through decaying colonial structures and the silent presence of those who once lived and still live within them. Framed size, 27 x 37 cm for 620 £

Mila Rae Sarabhai

Linger, 2025

Photopolymer etching on Fabriano unica paper

25 x 34 cm

£ 500

In Mila Sarabhai’s photo-etchings, absence becomes presence. Her ongoing series is based on photographs from her hometown in India, exploring space and memory through decaying colonial structures and the silent presence of those who once lived and still live within them. Framed size, 27 x 37 cm for 620 £

Mila Rae Sarabhai

Dusk, 2025

Photopolymer etching on Fabriano unica paper

25 x 34 cm

£ 500

In Mila Sarabhai’s photo-etchings, absence becomes presence. Her ongoing series is based on photographs from her hometown in India, exploring space and memory through decaying colonial structures and the silent presence of those who once lived and still live within them. Framed size, 27 x 37 cm for 620 £

Nalinakshya Talukdar

Unserach Home, 2023

Woodcut on paper

65 x 120 cm

£ 1,300

Nalinakshya’s practice is deeply connected to the landscape of his home. Through carving, he explores ideas of belonging, memory, and nature. Living now in the city, his work becomes a way of returning to childhood landscapes and reconnecting with the natural world. Framed size, 70 x 125 cm approx., without glass for £1300. Limited edition of 2, only 1 available.

Km. Khushboo

The Way of Living, 2024

Etching on paper

36 x 48 cm

£ 550

Khushboo’s work reflects on a transient moment – one that appears only once before fading. Through restrained forms and quiet spatial shifts, it suggests the fragile nature of experiences that cannot be repeated. The piece rests on the idea that a single gesture can hold an entire unfolding, even in its brevity. Limited edition of 3, only 1 available. Framed size, 53 x 66 cm for £ 550.

Km. Khushboo

Only Once, 2025

Drypoint on paper

27 x 36 cm

£ 400

Khushboo’s work reflects on a transient moment – one that appears only once before fading. Through restrained forms and quiet spatial shifts, it suggests the fragile nature of experiences that cannot be repeated. The piece rests on the idea that a single gesture can hold an entire unfolding, even in its brevity. Limited edition of 3, only 1 available. Framed size, 43 x 51 cm for £ 400.

Adia Wahid

The Glyph, Set of 5, 2026

Hand carved wood blocks

Variable

£ 1,300

Adia Wahid’s The Glitch Code, begins with material from her homeland. Through processes of transition and metamorphosis from woodblock to print she explores how craft operates within culture, and how it often goes unnoticed. In her practice, the process itself becomes the work. Limited edition of 2. Set of five for 1300 £ and individual for 300 £ each.

Adia Wahid

The Glyph I, 2026

Hand carved wood blocks

19 x 13.5 cm

£ 300

Adia Wahid’s The Glitch Code begins with material from her homeland. Through processes of transition and metamorphosis from woodblock to print she explores how craft operates within culture, and how it often goes unnoticed. In her practice, the process itself becomes the work. Limited edition of 2. Also available as a set of 5 with different patterns & variations for 1300 £.

Adia Wahid

The Glyph II, 2026

Hand carved wood blocks

16 x 16 cm

£ 300

Adia Wahid’s The Glitch Code begins with material from her homeland. Through processes of transition and metamorphosis from woodblock to print she explores how craft operates within culture, and how it often goes unnoticed. In her practice, the process itself becomes the work. Limited edition of 2. Also available as a set of 5 with different patterns & variations for 1300 £.

Adia Wahid

The Glyph III, 2026

Hand carved wood blocks

11.5 x 19.5 cm

£ 300

Adia Wahid’s The Glitch Code begins with material from her homeland. Through processes of transition and metamorphosis from woodblock to print she explores how craft operates within culture, and how it often goes unnoticed. In her practice, the process itself becomes the work. Limited edition of 2. Also available as a set of 5 with different patterns & variations for 1300 £.

Adia Wahid

The Glyph IV, 2026

Hand carved wood blocks

9.4 x 14.5 cm

£ 300

Adia Wahid’s The Glitch Code begins with material from her homeland. Through processes of transition and metamorphosis from woodblock to print she explores how craft operates within culture, and how it often goes unnoticed. In her practice, the process itself becomes the work. Limited edition of 2. Also available as a set of 5 with different patterns & variations for 1300 £.

Adia Wahid

The Glyph V, 2026

Hand carved wood blocks

12 x 16 cm

£ 300

Adia Wahid’s The Glitch Code begins with material from her homeland. Through processes of transition and metamorphosis from woodblock to print she explores how craft operates within culture, and how it often goes unnoticed. In her practice, the process itself becomes the work. Limited edition of 2. Also available as a set of 5 with different patterns & variations for 1300 £.

Scherry Shi

Within This Tree, 2026

Cyanotype on mulberry silk

10.2 x 12.7 cm

£ 385

Scherry’s cyanotype evokes a sense of nostalgia, becomes a quiet point of connection across time and geography. The use of colour Indigo gestures towards the histories embedded in the colour itself and explores its links to global trade routes such as silk road, the rise of European industrial demand and the colonial systems that relied on coercive agricultural practices. Limited edition of 5. Framed size, 20.6 x 22.9cm for £510.

Scherry Shi

Within This Tree, Variation I, 2026

Cyanotype on mulberry silk

10.2 x 12.7 cm

£ 385

Scherry’s cyanotype evokes a sense of nostalgia, becomes a quiet point of connection across time and geography. The use of colour Indigo gestures towards the histories embedded in the colour itself and explores its links to global trade routes such as silk road, the rise of European industrial demand and the colonial systems that relied on coercive agricultural practices. Limited edition of 5. Framed size, 20.6 x 22.9cm for £485.

Asha Vaidyanath

Love Letter IV, 2025

Etching on Cotton Gauze

28.8 x 35 cm

£ 500

Asha’s Love Letters hold a sense of intimacy while remaining open to be read (viewed). These works are like translations; forms that once existed as handweaving, film photographs, weave drafts and drawings are reinterpreted through a new medium. As the material shifts, so does meaning. The landscape here is personal and emotional, shaped by touch, time, and the quiet act of making. Limited edition of 4 + 1 AP. Framed size 36.9 x 43.4cm, for £ 700. Museum quality framing.

Asha Vaidyanath

Love Letter V, 2025

Etching on Cotton Gauze

28.8 x 35 cm

£ 500

Asha’s Love Letters hold a sense of intimacy while remaining open to be read (viewed). These works are like translations; forms that once existed as handweaving, film photographs, weave drafts and drawings are reinterpreted through a new medium. As the material shifts, so does meaning. The landscape here is personal and emotional, shaped by touch, time, and the quiet act of making. Limited edition of 4 + 1 AP. Framed size 36.9 x 43.4cm, for £ 700. Museum quality framing.